Along the cliff, a narrow but deep stream runs. You can follow it to its source: the outlet of the swallet. It's obviously not a natural stream. It's been deliberately shaped, in places walled up with small limestone blocks. What makes it utterly fantastic is the fact that it wasn't built by modern settlers. It's an ancient Sinagua canal, and it runs for almost a mile. The calcium-rich waters have deposited a natural cement, shoring up the walls and allowing it to survive this long. Some of the canals in the area date back 1,300 years. And some of them are still in use!
This is a wonderful place to linger, sitting on huge limestone blocks that have fallen from the cliff, admiring the peaceful canal and gazing over the fast-flowing creek as you ponder the incredible chain of events that combined to form this desert karst oasis.
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ECMAScript defines a HostEnsureCanCompileStrings() abstract operation which allows the host environment to block the compilation of strings into ECMAScript code. This document defines an implementation of that abstract operation which examines the relevant CSP list to determine whether such compilation ought to be blocked.
WebAssembly defines the HostEnsureCanCompileWasmBytes() abstract operationwhich allows the host environment to block the compilation of WebAssemblysources into executable code. This document defines an implementation of thisabstract operation which examines the relevant CSPlist to determine whether such compilation ought to be blocked.
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Rosetta Flash leverages zlib, Huffman encoding and ADLER32 checksum bruteforcing to convert any SWF file to another one composed of only alphanumeric characters, so that it can be passed as a JSONP callback and then reflected by the endpoint, effectively hosting the Flash file on the vulnerable domain.
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With the increased prominence and ease of use of 3D printing in the sciences and heritage management [38] and in museum exhibitions designed to engage the senses of the visitor through direct contact with accurate reproductions [39, 40], the idea of reconstructing the shattered blocks took on a new life.Footnote 2 Though the sandstone and andesite blocks have been measured on several occasions, in only a few cases was this done with a level of accuracy suitable for the virtual modeling and 3D printing technologies in this research. Consumer 3D printers have a resolution, or margin of error, ranging from 0.025 mm up to 0.3 mm depending on the type of 3D printer. This high degree of accuracy in turn necessitates a high degree of accuracy in the models to be printed. Necessary were the original field notes with the detailed measurements not included in their final publications (see Figs. 2, 12). Archival research was necessary to locate the original field notes in various museums around the world. The majority of the ashlars were modeled from the field notes of JP Protzen, who conducted his fieldwork over a number of visits in the early and mid-1990s. The field notes from Leonce Angrand (1848) and Max Uhle (1893) preserved the measurements of several blocks that had been lost in the last century. Additional ashlars that have recently surfaced were recorded using the method demonstrated by JP Protzen to members of this project.
In total, 140 pieces of andesite and 17 slabs of sandstone were modeled. The time it would take for a simple unadorned block would be a short as a few minutes; the gateways, the largest, and most complex architectural pieces of this time period require additional time. For example, the gateway in Fig. 12, originally in five pieces, required approximately 5 h of modeling to restore its virtual form.
For most people, a puzzle is a pleasant pastime; for archaeologists, manipulating small fragments of a larger object is a significant representation of what we do back in the lab. Archaeologists are trained in spatial visualization by spending long periods of trial and error, piecing together objects from bits of broken pottery, stone, and bone. Anecdotes abound among archaeologists of quickly piecing together shattered bits of pottery or realizing that a piece of sculpted stone would fit well in another location of the site. Physical anthropologists are well known for the ability to take a near featureless eroded bone fragment and mentally rotate it to its proper location on the human skeleton. Other professionals, such as masons who work with non-course stone or irregular blocks, also develop an uncanny ability to recall the location of the perfect stone among a disorganized pile in order to fill an odd-shaped chink in a wall. Though the actual mental process of insight is not fully understood and beyond the scope of this research, we do know that it can be cultivated both through training and by creating proper setting [46].
The 3D models in .skp and.stl format are available in the Supplementary Information and available for download. (1) Andesite blocks from the Pumapunku, (2) Sandstone slabs from the Pumapunku, (3) Andesite blocks from locations other than within the boundaries of the Pumapunku monument and (4) Gateways at the Pumapunku and other areas of the ruins.
3D models of (1) Andesite blocks from the Pumapunku, (2) Sandstone slabs from the Pumapunku, (3) Andesite blocks from locations other than within the boundaries of the Pumapunku monument, and (4) Gateways at the Pumapunku and other areas of the ruins in .skp and .stl format. 2ff7e9595c
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